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The cover of “The New Jerusalem, Zionist Power in America” is a rendition of Robert Fleaux's 1851 painting of the "Assault on the Jewish Quarter of Venice," the original of which is in the Augustine Museum in Toulouse. The painting commemorates a 15th century uprising by Venetian citizens against Jewish merchants and money lenders who had come to predominate in their commercial and public affairs. In fact, similar events took place throughout Europe as citizens discovered that respective economies-local, provincial and national-had fallen into the hands of a select few.
Description
Such uprisings flared in Europe well into the 20th century. Some speculated that this tragic history played a major part in directing Jewish attention toward the newly founded American continent where British geopolitical interests, heavily interconnected with the global enterprises of the Jewish Rothschild family, had taken root. In the end, America - following years of turmoil, wars and social unrest, much of it traceable to high-level intrigue involving the Rothschild’s and their agents on American soil-ultimately began to take on a markedly different complexion, with a "new elite" emerging to reign supreme over a country much otherwise divided within. The consequences of that new paradigm - and how it may impact on the future of not only the United States but the world-constitute the subject of “The New Jerusalem.”
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